Wednesday, 18 March 2009

Film Treatment

The scene starts with a shot of the television screen showing a children’s morning television programme. The camera then zooms out to then rotate to a long shot of a man slouched in a sofa in his work clothes with a slackened tie around his neck. There is the quick montage of shots showing how the character has brushed his teeth and him then attempting to make breakfast. The pace of the shots put together shows how he is in a rush, in this rush he then knocks a tin of alphabetti spaghetti off of the shelf. The camera then cuts to a point of view shot down at the floor showing the personas view of the mess on the floor, the shot reveals the word “pucker up” in alphabetti spaghetti on the floor. After the title of the movie is revealed the character then rushes out of the house saying how much of a rush he is in and that the mess that he has left on the floor does not affect him in anyway and that he will clean it up when he has the time. The shot then cuts to a match on action shot of the man shutting his doors as he leave the house where then as the door is pull shut the shot changes to a shot of a woman shutting her bedroom door, the woman seems to be a lot more organised compared to how the mans morning occurred. We then see the same montage of shots as the woman prepares to get ready but she does it at a slower pace than the male character showing that see has a lot of time on her hands. There is then a long shot from outside the house as the females leave her house and enters her car. The camera then jumps between shots of the female and male on their journeys to work. There is then a point of view shot from a reception where we see both of the character enter into the room and walk towards the desk. As they both sign in for work there is then a shot of the female accidentally drawing on the males hand as she passes him the pen where we then see a point of view shot of from the male looking at the female we see awkwardly but flirtingly looks at him and apologises. The shot the cut to a point of view shot of the receptionist looking at the male and we see a beaming smile upon his face.

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